Rattle and Hum | ||||
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Studio album with live tracks by U2 | ||||
Released | 10 October 1988 | |||
Recorded | Sun Studio, Memphis, Tennessee, 1987–1988 | |||
Genre | Rock, roots rock[1] | |||
Length | 72:27 | |||
Label | Island | |||
Producer | Jimmy Iovine | |||
U2 chronology | ||||
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Singles from Rattle and Hum | ||||
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Rattle and Hum is the name of both an album and a companion motion picture recorded by Irish rock band U2. Both were released in 1988.
The album, which was made following the band's 1987 Joshua Tree Tour, is a mix of live recordings, covers, and new songs. To a greater extent than their previous album, The Joshua Tree, the band explores roots rock, and incorporates elements of blues-rock, folk rock, and country. The accompanying documentary film documents the band's Joshua Tree Tour of the United States and the band's experiences with American music. Although the album and motion picture were intended to represent the band paying tribute to rock legends, some critics accused U2 of trying to place themselves amongst the ranks of these artists.
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"I was very keen on the idea of going wide at a time like that, just seeing how big this thing could get. I had always admired Colonel Parker and Brian Epstein for realising that music could capture the imagination of the whole world."
While in Hartford during The Joshua Tree Tour, U2 met film director Phil Joanou who made an unsolicited pitch to the band to make a feature-length documentary about the tour. Joanou suggested they hire Martin Scorsese, Jonathan Demme, or George Miller to direct the film. Joanou met the band again in Dublin to discuss the plans and again in France in September before the band chose him as director. The movie was originally titled "U2 In The Americas" and the band planned to film in Chicago and Buenos Aires later in the year.[3] It was later decided that the Chicago venue wasn't suitable, and instead U2 used the McNichols Sports Arena in Denver to film. Following the success of Live at Red Rocks: Under a Blood Red Sky, which had been filmed in Denver four years earlier, the band hoped that "lightning might strike twice".[4]
The movie is a rockumentary, which was initially financed by the band and intended to be screened in a small number of cinemas as an independent film. After going over budget, the film was bought by Paramount Pictures and released in theaters in 1988, before arriving on video in 1989. It was produced by Michael Hamlyn and directed by Phil Joanou. It incorporates live footage with studio outtakes and band interviews. The album is a mix of live material and new studio recordings that furthers the band's experimentation with American music styles and recognizes many of their musical influences. It was produced by Jimmy Iovine and also released in 1988.
The title, Rattle and Hum, is taken from a lyric from "Bullet the Blue Sky", the fourth track on The Joshua Tree.
The album opens with a live cover of The Beatles' "Helter Skelter." Its inclusion on the album was intended by the band to reflect the confusion of The Joshua Tree Tour and their new found superstar status. Bono's introduction of the song—"this song Charles Manson stole from The Beatles...we're stealing it back"—was interpreted as U2 claiming to be the new Beatles.[5]
Bono said "Hawkmoon 269" was in part as a tribute to writer Sam Shepard, who had released a book entitled Hawk Moon. Bono also said that the band mixed the song 269 times. This was thought to be a joke for years until it was recently confirmed by The Edge in U2 by U2, who said that they spent three weeks mixing the song. He also conflicted Bono's assertion about Shepard, saying that Hawkmoon came from a section of a town in the midwestern United States.
The album contains a live version of Bob Dylan's "All Along the Watchtower", which can be seen as a dual tribute to Dylan and to Jimi Hendrix, who popularized the song with his own blistering rendition. Aside from the covers, a couple of songs were written for other artists. "Angel of Harlem" is a vivacious, horn-filled tribute to Billie Holiday. The bass-heavy "God Part II" is an introduction to the Achtung Baby sound, and is a sequel of sorts to John Lennon's "God", his stark denunciation of everyone from Elvis Presley to Jesus Christ.
The punchy lead single, "Desire", sports a Bo Diddley beat. During the Joshua Tree tour, in mid-November 1987, Bono and Bob Dylan met in Los Angeles; together they wrote a song called "Prisoner of Love" which later became "Love Rescue Me". Dylan sang lead vocals on the original recording, a version which Bono called "astonishing", but Dylan later asked U2 not to use it citing commitments to The Traveling Wilburys.[6] The live performance of "I Still Haven't Found What I'm Looking For" (recorded with a full church choir) is a gospel song. "When Love Comes to Town" is a blues rocker featuring B. B. King on guitar and vocals.
U2 recorded "Angel of Harlem", "Love Rescue Me" and "When Love Comes to Town" at Sun Studio in Memphis, Tennessee, where Elvis Presley, Roy Orbison, Johnny Cash and many others also recorded. They also recorded an unreleased version of "She's a Mystery to Me" and Woody Guthrie's "Jesus Christ," which appeared on Folkways: A Vision Shared.
The band started writing "Heartland", in 1984 during The Unforgettable Fire sessions, and it was worked on during The Joshua Tree sessions.[7]
All of the studio tracks apart from "Heartland" were performed in concert on the Lovetown Tour, which began almost a year after Rattle and Hum's release.
The band chose to film the black and white footage over two nights Denver's McNichols Sports Arena on 7 and 8 November 1987. They chose the city following the success of their Under A Blood Red Sky video which was filmed in Denver in 1983. "We thought lightning might strike twice" said guitarist, The Edge. Seven songs from the second show are used in the film. Earlier that day, an IRA bomb killed eleven people at a Remembrance Day ceremony in the Northern Irish town of Enniskillen (see Remembrance Day Bombing). During a performance of "Sunday Bloody Sunday", which appears on the film, Bono condemned the violence in a furious mid-song rant in which he yelled "Fuck the revolution." After the film was released, the IRA were furious and threatened to kidnap Bono.
Colour outdoor concert footage is from the band's Tempe, Arizona shows on 19 December 1987 and 20 December 1987.
The performance of Bob Dylan's "All Along the Watchtower" is from the band's impromptu "Save the Yuppies" concert in Justin Herman Plaza in San Francisco, California on 11 November 1987. The video intersperses the performance of the song with footage from the band's performance of "Pride" from the same show, during which Bono spray-painted "Rock and Roll Stops the Traffic" on the Vaillancourt Fountain. This caused a bit of controversy, and ultimately, the band paid to repair the damage and publicly apologized for the incident. The phrase "Rock and Roll Stops the Traffic" reappeared 18 years later in the video "All Because of You" when an unnamed fan appeared with the sign at 1:55 in the video.[8][9]
Dennis Bell, director of New York gospel choir, The New Voices of Freedom, recorded a demo of a gospel version of "I Still Haven't Found What I'm Looking For".[10] While in Glasgow in late July during The Joshua Tree Tour, Rob Partridge of Island Records played the demo for the band.[11] In late September, U2 rehearsed with Bell's choir in a Harlem church, and a few days later they performed the song together at U2's Madison Square Garden concert. Footage of the rehearsal is featured in the movie, while the Madison Square Garden performance appears on the album.[12] After the church rehearsal, U2 walked around the Harlem neighbourhood where they come across blues duo, Satan and Adam, playing in the street. A 40 second clip of them playing their composition, "Freedom for My People", appears on both the movie and the album.[13]
During "Silver and Gold", Bono explains that the song is an attack on apartheid.
"The Star Spangled Banner" is an excerpt of Jimi Hendrix's famous Woodstock performance in 1969.
The noise of the crowd was sampled extensively by the The KLF for 'the Stadium House Trilogy' of singles on their 1990 album The White Room.[14]
Professional ratings | |
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Review scores | |
Source | Rating |
Sputnikmusic | ![]() ![]() ![]() ![]() ![]() |
New York Times | (unfavourable) [16] |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | (B) [19] |
After the success of The Joshua Tree, the album received a generally positive reception. Writing in Rolling Stone, Anthony DeCurtis said, "The album ably demonstrates U2's force but devotes too little attention to the band's vision." The album received an 8/10 marking in the NME from Stuart Baillie but was controversial as Mark Sinker originally gave it a much poorer review, which was pulled in favour of Baillie's more positive one. Sinker left the NME shortly after.[20]
Roger Ebert slammed the movie saying the footage was badly lit and monotonous, with little use made of the crowds. However, review partner Gene Siskel was more sympathetic, praising the music and finding the footage of the Harlem gospel choir particularly moving.[21]
"Rattle and Hum was conceived as a scrapbook, a memento of that time spent in America on the Joshua Tree tour. It changed when the movie, which was initially conceived of as a low-budget film, suddenly became a big Hollywood affair. That put a different emphasis on the album, which suffered from the huge promotion and publicity, and people reacted against it."[22]
U2's 1987 album The Joshua Tree brought the band critical acclaim, great commercial success, and high exposure, but it was the beginning of a backlash against them.[23] They were accused of being grandiose, over-earnest, and self-righteous.[23] The criticism increased the following year with their continued exploration of American music on Rattle and Hum motion picture and companion album. The film's director Phil Joanou called the picture "pretentious", while critics called the record "misguided and bombastic".[24] Many of them interpreted the band's intended homage to American music legends as an attempt to place themselves as peers with rock's all-time great artists.[25][26][27]
All lyrics on U2 compositions by Bono, unless otherwise noted.
No. | Title | Writer(s) | Performer | Length |
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1. | "Helter Skelter" (Live) | Lennon/McCartney | U2 | 3:07 |
2. | "Van Diemen's Land" | U2 / Words by The Edge | U2 | 3:05 |
3. | "Desire" | U2 | U2 | 2:59 |
4. | "Hawkmoon 269" | U2 | U2 with Bob Dylan | 6:22 |
5. | "All Along the Watchtower" (Live) | Bob Dylan | U2 | 4:24 |
6. | "I Still Haven't Found What I'm Looking For" (Live) | U2 | U2 with The New Voices of Freedom | 5:53 |
7. | "Freedom for My People" | Adam Gussow and Sterling Magee | Satan and Adam | 0:38 |
8. | "Silver and Gold" (Live) | Bono | U2 | 5:49 |
9. | "Pride (In the Name of Love)" (Live) | U2 | U2 | 4:27 |
10. | "Angel of Harlem" | U2 | U2 | 3:49 |
11. | "Love Rescue Me" | U2 / Words by Bono & Bob Dylan | U2 with Bob Dylan | 6:24 |
12. | "When Love Comes to Town" | U2 | U2 with B. B. King | 4:15 |
13. | "Heartland" | U2 | U2 | 5:03 |
14. | "God Part II" | U2 | U2 | 3:15 |
15. | "The Star Spangled Banner" (Excerpt) | John Stafford Smith | Jimi Hendrix | 0:43 |
16. | "Bullet the Blue Sky" (Live) | U2 | U2 | 5:36 |
17. | "All I Want Is You" | U2 | U2 | 6:30 |
Total length:
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72:27 |
All tracks were produced by Jimmy Iovine, except "Heartland", a left-over from The Joshua Tree that was produced by Brian Eno and Daniel Lanois.
Album
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Songs
"—" denotes releases that did not chart. |
Rattle and Hum | |
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![]() Film poster |
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Directed by | Phil Joanou |
Produced by | Michael Hamlyn |
Starring | Bono The Edge Adam Clayton Larry Mullen Jr. |
Music by | Bono Adam Clayton Larry Mullen Jr. The Edge |
Cinematography | Robert Brinkmann (color) Jordan Cronenweth (B&W) |
Editing by | Phil Joanou |
Distributed by | Paramount Pictures |
Release date(s) | 27 October 1988 (Ireland) 4 November 1988 (U.S.) |
Running time | 99 min |
Country | United States |
Language | English |
Budget | $5,000,000 |
Gross revenue | US$8,600,823 U.S. |
No. | Title | Writer(s) | Performer | Length |
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1. | "Helter Skelter" (Live) | Lennon/McCartney | U2 | |
2. | "Van Diemen's Land" | The Edge | U2 | |
3. | "Desire" (Demo) | U2 | U2 | |
4. | "Exit"/"Gloria" (Live) | U2 ("Exit"), Van Morrison ("Gloria") | U2 | |
5. | "I Still Haven't Found What I'm Looking For" (Rehearsal) | U2 | U2 with The New Voices of Freedom | |
6. | "Freedom for My People" | Adam Gussow and Sterling Magee | Satan and Adam | |
7. | "Silver and Gold" (Live) | Bono | U2 | |
8. | "Angel of Harlem" (Demo) | U2 | U2 | |
9. | "All Along the Watchtower" (Live) | Bob Dylan | U2 | |
10. | "In God's Country" (Live) | U2 | U2 | |
11. | "When Love Comes to Town" (Rehearsel, live, recital medley) | Bono | U2 with B. B. King | |
12. | "Heartland" | U2 | U2 | |
13. | "Bad"/"Ruby Tuesday"/"Sympathy for the Devil" (Live) | U2 ("Bad"), Jagger/Richards ("Ruby Tuesday", "Sympathy for the Devil") | U2 | |
14. | "Where the Streets Have No Name" (Live) | U2 | U2 | |
15. | "MLK" (Live) | U2 | U2 | |
16. | "With or Without You" (Live) | U2 | U2 | |
17. | "The Star Spangled Banner" (Excerpt) | John Stafford Smith | Jimi Hendrix | |
18. | "Bullet the Blue Sky" (Live) | U2 | U2 | |
19. | "Running to Stand Still" (Live) | Bono | U2 | |
20. | "Sunday Bloody Sunday" (Live) | U2 | U2 | |
21. | "Pride (In the Name of Love)" (Live) | U2 | U2 | |
22. | "All I Want Is You" | U2 | U2 |
Preceded by New Jersey by Bon Jovi |
Billboard 200 number-one album November 12 - December 23, 1988 |
Succeeded by Giving You the Best That I Got by Anita Baker |
Preceded by Flying Colours by Chris de Burgh |
UK number one album October 22, 1988 – October 28, 1988 |
Succeeded by Money for Nothing by Dire Straits |
Preceded by New Jersey by Bon Jovi |
Australian ARIA Albums Chart number-one album October 31 - December 4, 1988 |
Succeeded by Barnestorming by Jimmy Barnes |
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